Only 120 bottles of this incredibly limited release are available worldwide. To celebrate work this special, we selected remnants of a deep and distinguished unpeated 30-year-old single malt, matured in European oak casks, taste tested by Alice and Iain McAlister during Alice’s residency at the distillery. Each of the 120 bottles bears one of Alice’s four ‘Spirit Safe’ paintings, presented in a rigid display box which makes them a fantastic addition to any Campbeltown single malt lover’s whisky shelf or collection.
Glen Scotia offer express UK delivery on all orders (excluding bank holidays and weekends).
Price | Timescale | |
Orders Over £50 | Free | 1-2 working days (Mon-Fri) if ordered by 12 noon |
Orders up to £49.99 | £2.99 | 1-2 working days (Mon-Fri) if ordered by 12 noon |
Once your order has left our warehouse, you will receive shipping confirmation with tracking information from our shipping partner, DPD.
Please note, all delivery times stated are a guide, we always aim to dispatch and deliver your order on time. However, there may be times when we are affected by factors beyond our control and as such, orders may be delayed. If your order is delayed, please contact us, and we’ll check the order’s status for you.
At the moment we are unable to process any orders for EU, this will be updated in due course. We apologise for any inconvenience.
Thick perfumed floral notes of violet and lavender are intertwined with bracing sea spray.
Freshly sliced green apple and silky honeyed pear are followed by ground ginger spice and dark chocolate.
The finish is long with a roasted sugar sweetness.
Like whisky production, Alice’s technique involves patience, time and experimentation. She uses pencil, watercolour and ink to draw from life, spending a long time observing her surroundings through sight, sound, smell and touch, often waiting for the right moment, drawing similarities with the time and craftsmanship required in whisky-making. Some of her works are completed on-site directly from life and others are developed in the studio into larger-scale artworks.
With a keen curiosity in her natural surroundings, Alice Angus was educated at Glasgow School of Art, later relocating to London. However, she remains forever inspired by the country and splits her time between the two places. Her body of work includes works on paper, video, audio and textiles and ranges from large curatorial, collaborative projects to individual commissions, public artworks, community projects and research. She has undertaken residencies and projects in many places, urban and rural, from Lancaster to the Canadian Arctic.
Like whisky production, Alice’s technique involves patience, time and experimentation. She uses pencil, watercolour and ink to draw from life, spending a long time observing her surroundings through sight, sound, smell and touch, often waiting for the right moment, drawing similarities with the time and craftsmanship required in whisky-making. Some of her works are completed on-site directly from life and others are developed in the studio into larger-scale artworks.
With a keen curiosity in her natural surroundings, Alice Angus was educated at Glasgow School of Art, later relocating to London. However, she remains forever inspired by the country and splits her time between the two places. Her body of work includes works on paper, video, audio and textiles and ranges from large curatorial, collaborative projects to individual commissions, public artworks, community projects and research. She has undertaken residencies and projects in many places, urban and rural, from Lancaster to the Canadian Arctic.
Alice Angus
Artist in Residence
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